↗Cherry Blossoms in the Wind
Utagawa Toyokuni
Brush, ink and an absorbent surface make a remarkably expressive combination. In Chinese painting, brushwork has a close relationship with calligraphy.
Follow changes in the density of ink and the rhythm of the brush. Where does the unpainted surface become part of the composition?
A simplified process; practices vary across places and periods.
↗Utagawa Toyokuni
↗Shen Zhou
↗Shitao
↗Wen Zhengming
↗Tang Yin
↗Creator not recorded
↗Shen Zhou
↗Shen Zhou
↗Wen Zhengming
↗Wen Zhengming
↗Attributed to Tang Yin
↗Tang Yin
↗Shitao
↗Shitao
↗Attributed to Ma Yuan
↗Ma Yuan
↗Utagawa Toyokuni
↗Utagawa Toyokuni
↗Creator not recorded
↗Creator not recorded
↗Creator not recorded
↗Creator not recorded
↗Rembrandt van Rijn
↗Camille Pissarro
↗Paolo Veronese
↗Creator not recorded
↗Creator not recorded
↗Creator not recorded
↗Creator not recorded
↗Creator not recorded
↗Attributed to Sahkulu
↗Puming
↗Zhao Mengfu
↗Ogata Kōrin
↗Possibly by Ogata Kōrin
↗Creator not recorded
↗Creator not recorded
↗Creator not recorded