↗Cherry Blossoms in the Wind
Utagawa Toyokuni
#534B3D#A7845B#8F7352#B68E61#9B7954#C29868Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.
Mr. and Mrs. William H. Marlatt Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Creator not recorded by the museum
With a bird’s-eye view, this ten-panel folding screen portrays the famous Seven Jeweled Mountain 칠보산 in North Korea. Ancient volcanic eruptions shaped the mountain’s unique and awe-inspiring terrain such as phallic-shaped pillars (panel #5, from the right); a large flat-topped, steep-sided cliff (panels #7 and #8), and a rugged mountain composed of metamorphic and igneous rocks (panels #9 and #10). The tradition of landscape painting that details actual natural sites and captures their topographic features in Korea began in the 1700s and continued onward. While such natural wonders were beloved as popular destinations for tourism and pilgrimage, after the Korean War (1950–53), these sites in North Korea are no longer accessible to the outside world. This folding screen detailing the mountain’s distinctive topography feeds our imagination and longing for such an unattainable place.
Collection text · The Cleveland Museum of Art · CC0Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.
↗Utagawa Toyokuni
↗Shen Zhou
↗Shitao
↗Wen Zhengming