↗Japan, Edo period (1615–1868) · early 1830s
South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji
Katsushika Hokusai
The Kelvin Smith Collection, given by Mrs. Kelvin Smith · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Japan, Edo period (1615–1868) · c. 1793–97
Hinazura of Chōjiya from the series Beauties as the Seven Komachi
- Date
- c. 1793–97
- Medium
- Color woodblock print; ink and color on paper
- Dimensions
- Sheet: 37.9 x 25.4 cm (14 15/16 x 10 in.)
- Country / context
- Japan
- Movement / tradition
- Japanese art and printmaking
- Collection
- The Cleveland Museum of Art
- Pathway
- Japanese art and printmaking ↗
FROM THE MUSEUM
Seven plays based on legends from the life of 9th-century poet Ono no Komachi served as the source for this print series. Hinazura looks at a caged bird, symbolizing the play The Parrot, in which Komachi responds to a poem sent to her by the Emperor Yozei with a poem with just one syllable changed.
Collection text · The Cleveland Museum of Art · CC0A MOMENT TO LOOK
Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.Follow a connection.
Explore the tradition ↗↗
↗Japan, Edo period (1615–1868) · 1833
Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō
Utagawa Hiroshige
↗Japan, Edo period (1615–1868) · c. 1793
The Flirtatious Type, from Ten Types in the Physiognomy of Women
Kitagawa Utamaro
↗Japan, Edo period (1615–1868) · c. 1830
A Low Tide Pentaptych
Utagawa Kuniyoshi