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Leonard C. Hanna Jr. Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗

Cambodia, probably Angkor · 1100s

Pair of naga finials

Creator not recorded by the museum

Date
1100s
Medium
bronze
Dimensions
Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.)
Country / context
Cambodia
Movement / tradition
Southeast Asian arts
Collection
The Cleveland Museum of Art
Pathway
Southeast Asian arts ↗
FROM THE MUSEUM

When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. Naga means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.

Collection text · The Cleveland Museum of Art · CC0
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