↗Japan, Edo period (1615–1868) · early 1830s
South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji
Katsushika Hokusai
The Kelvin Smith Collection, given by Mrs. Kelvin Smith · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Japan, Edo period (1615–1868) · 1857
The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo
- Date
- 1857
- Medium
- color woodblock print
- Dimensions
- 33.9 x 22.8 cm (13 3/8 x 9 in.)
- Country / context
- Japan
- Movement / tradition
- Japanese art and printmaking
- Collection
- The Cleveland Museum of Art
- Pathway
- Japanese art and printmaking ↗
FROM THE MUSEUM
Here, Utagawa Hiroshige’s design places the viewer by pine trees, peering beyond a doorway at the end of a moon-viewing party. The silhouette of a figure with an elaborate hairstyle is visible through a translucent paper door; only the person’s hem trails into view. Another individual remains seated on the floor in the upper right, near a musical instrument and a tray with blue-and-white ceramics, possibly still admiring the autumn moon over ships in Edo (now Tokyo) Bay.
Collection text · The Cleveland Museum of Art · CC0A MOMENT TO LOOK
Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.Follow a connection.
Explore the tradition ↗↗
↗Japan, Edo period (1615–1868) · 1833
Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō
Utagawa Hiroshige
↗Japan, Edo period (1615–1868) · c. 1793
The Flirtatious Type, from Ten Types in the Physiognomy of Women
Kitagawa Utamaro
↗Japan, Edo period (1615–1868) · c. 1830
A Low Tide Pentaptych
Utagawa Kuniyoshi