↗Japan, Edo period (1615–1868) · 1830年代初
凯风快晴,选自《富岳三十六景》
葛饰北斋
The Kelvin Smith Collection, given by Mrs. Kelvin Smith · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
Here, Utagawa Hiroshige’s design places the viewer by pine trees, peering beyond a doorway at the end of a moon-viewing party. The silhouette of a figure with an elaborate hairstyle is visible through a translucent paper door; only the person’s hem trails into view. Another individual remains seated on the floor in the upper right, near a musical instrument and a tray with blue-and-white ceramics, possibly still admiring the autumn moon over ships in Edo (now Tokyo) Bay.
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。