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唐寅

1470–1523

艺术家及其所处世界

生平与创作经历

唐寅活跃于明代苏州的文化与商业环境,作品涵盖山水、人物及文学典故。虽常与吴地名家并列,但生计、赞助和技法差异很重要,不能以同一种文人业余理想概括所有人。

生涯作品选读

所选作品并非完整目录。推断生涯顺序之前,请先阅读日期范围及作者归属。

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  1. 01

    late 1400s–early 1500s

    late 1400s–early 1500s

    听琴

    材料与技法
    立轴;绢本水墨淡彩
    作者归属与角色
    归属为
    收藏与来源
    克利夫兰艺术博物馆

    日期宽泛或不确定,不能据此确定生涯阶段。

    Gift of Herbert F. Leisy in memory of his wife, Helen Stamp Leisy · 图像:公共领域(CC0)
    博物馆原文说明

    The painting alludes to a legendary incident from the life of Ji Kang 嵇康 (AD 223–262), a guqin player who belonged to a group of 3rd-century eccentric intellectuals. Ji Kang is known as the author of a Guangling San (廣陵散; Melody from Guangling), a composition for the guqin so haunting that it aroused spirits to visit him. The painting depicts the moment when one of the spirits––disguised as a human––is helped by another to emerge from the ground, while others are drawn to the musician playing in his cottage under the full moon.

    馆藏文字 · 克利夫兰艺术博物馆 · CC0
  2. 02

    1500–1510

    1500–1510

    秋山隐士

    材料与技法
    手卷;绢本水墨淡彩
    作者归属与角色
    博物馆归属记录
    收藏与来源
    克利夫兰艺术博物馆
    Andrew R. and Martha Holden Jennings Fund · 图像:公共领域(CC0)
  3. 03

    1506

    1506

    华山图

    材料与技法
    立轴;纸本水墨淡彩
    作者归属与角色
    博物馆归属记录
    收藏与来源
    克利夫兰艺术博物馆
    John L. Severance Fund · 图像:公共领域(CC0)
    博物馆原文说明

    In this work, Tang Yin accumulates towering mountain summits in the manner of the Sung master, Li Tang, to capture the monumental presence of his subject. Tang Yin’s angular brushstrokes and ink washes of varied intensity give texture to the rocky surface and accent the play of light. Mount Hua is situated in southern Shaanxi province in North China. Hardly accessible during Tang Yin’s time, the mountains were frequented by immortality seekers to dwell or collect herbal drugs there.Tang Yin's potentially brilliant career was shattered in 1499 after he went to the capital to take the jinshi examination. He got entangled in a bribery case that caused him to spend seven years in prison. After his release, Tang returned to Suzhou, and settled on a career as a professional painter. One of Tang's few dated works, Mount Hua was painted seven years after this incident.

    馆藏文字 · 克利夫兰艺术博物馆 · CC0
艺术语言与创作特点

媒介、笔触与色彩

媒介与表面

水墨淡彩作用于绢或纸,两种表面对笔墨反应不同。

笔迹与结构

棱角皴笔与经营的人物,联系雄伟山水及文学叙事。

色彩与光线

温和设色通常辅助层叠墨形与空间距离。

资料来源与延伸阅读

本项目原创教育性阐释;馆藏原文另行注明。每件选例均链接来源,未展示图像的参考条目不加入比较时间轴。

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