↗Japan, Edo period (1615–1868) · 1790年代末
风中樱花
歌川丰国
色彩调色板
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各色彩的大致占比
根据博物馆图像中的六组色彩估算，包含可见纸张或边框。复制方式和光照会影响结果；这里显示的是图像面积占比，而非颜料用量。
Gift of Herbert F. Leisy in memory of his wife, Helen Stamp Leisy · 克利夫兰艺术博物馆
图像：公共领域（CC0）· 博物馆记录与图像来源 ↗
China, Ming dynasty (1368–1644) · late 1400s–early 1500s
听琴
- 年代
- late 1400s–early 1500s
- 材料与技法
- 立轴；绢本水墨淡彩
- 尺寸
- Overall with knobs: 118 x 45 cm (46 7/16 x 17 11/16 in.); Painting: 35.8 x 29.1 cm (14 1/8 x 11 7/16 in.)
- 国家 / 文化背景
- 中国
- 流派 / 艺术传统
- 中国绘画
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 中国绘画 ↗
馆藏说明（英文原文）
The painting alludes to a legendary incident from the life of Ji Kang 嵇康 (AD 223–262), a guqin player who belonged to a group of 3rd-century eccentric intellectuals. Ji Kang is known as the author of a Guangling San (廣陵散; Melody from Guangling), a composition for the guqin so haunting that it aroused spirits to visit him. The painting depicts the moment when one of the spirits––disguised as a human––is helped by another to emerge from the ground, while others are drawn to the musician playing in his cottage under the full moon.
馆藏文字 · 克利夫兰艺术博物馆 · CC0停下来，看一看
从眼前可见之处开始：形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验？
观看提示 · 邀请你观察，而非对历史的定论。
