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色彩观察

色彩调色板

  • #DAD1C1
  • #9F9583
  • #7F7767
  • #EDE6D5
  • #F2ECDE
  • #B8AE9E

各色彩的大致占比

  • #DAD1C121.8%
  • #9F958319.4%
  • #7F776718.7%
  • #EDE6D516.7%
  • #F2ECDE12.5%
  • #B8AE9E10.9%

根据博物馆图像中的六组色彩估算,包含可见纸张或边框。复制方式和光照会影响结果;这里显示的是图像面积占比,而非颜料用量。

John L. Severance Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

China, Ming dynasty (1368–1644) · 1506

华山图

唐寅

年代
1506
材料与技法
立轴;纸本水墨淡彩
尺寸
Painting: 116.4 x 41.4 cm (45 13/16 x 16 5/16 in.); Overall with knobs: 213.5 x 66.7 cm (84 1/16 x 26 1/4 in.)
国家 / 文化背景
中国
流派 / 艺术传统
中国绘画
馆藏
克利夫兰艺术博物馆
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中国绘画 ↗
馆藏说明(英文原文)

In this work, Tang Yin accumulates towering mountain summits in the manner of the Sung master, Li Tang, to capture the monumental presence of his subject. Tang Yin’s angular brushstrokes and ink washes of varied intensity give texture to the rocky surface and accent the play of light. Mount Hua is situated in southern Shaanxi province in North China. Hardly accessible during Tang Yin’s time, the mountains were frequented by immortality seekers to dwell or collect herbal drugs there.Tang Yin's potentially brilliant career was shattered in 1499 after he went to the capital to take the jinshi examination. He got entangled in a bribery case that caused him to spend seven years in prison. After his release, Tang returned to Suzhou, and settled on a career as a professional painter. One of Tang's few dated works, Mount Hua was painted seven years after this incident.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
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