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COLOUR STUDY

Colour palette

  • #8B6F43
  • #583E24
  • #7C5C33
  • #6C5434
  • #A08254
  • #AF9161

Approximate colour proportions

  • #8B6F4320.1%
  • #583E2419.5%
  • #7C5C3316.5%
  • #6C543416.1%
  • #A0825415.2%
  • #AF916112.6%

Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.

Leonard C. Hanna Jr. Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗

Flanders · c. 1639

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens

Date
c. 1639
Medium
oil on wood
Dimensions
Framed: 70.5 x 40.6 x 7.6 cm (27 3/4 x 16 x 3 in.); Unframed: 26 x 53.7 cm (10 1/4 x 21 1/8 in.)
Country / context
Flanders
Movement / tradition
European and American art
Collection
The Cleveland Museum of Art
Pathway
European and American art ↗
FROM THE MUSEUM

On June 22, 1639, King Philip IV of Spain received a letter from his younger brother Ferdinand (1609–1641). The letter explained that the artist Peter Paul Rubens had recently completed all of the sketches for a series of paintings that were to hang in the halls of the Alcázar Palace in Madrid. Bear Hunt is one of seven surviving studies out of the original eighteen. In this scene, a bear attacks a hunter and a companion comes to his aide The others work to stave off a second angry bear. The sketch was completed in the last year Rubens's life, and the paintings for the series were never completed.

Collection text · The Cleveland Museum of Art · CC0
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.

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