↗France, late 19th century-early 20th century · 约1915—1926年
睡莲（百子莲）
克洛德·莫奈
色彩调色板
#8B6F43#583E24#7C5C33#6C5434#A08254#AF9161
各色彩的大致占比
根据博物馆图像中的六组色彩估算，包含可见纸张或边框。复制方式和光照会影响结果；这里显示的是图像面积占比，而非颜料用量。
Leonard C. Hanna Jr. Fund · 克利夫兰艺术博物馆
图像：公共领域（CC0）· 博物馆记录与图像来源 ↗
佛兰德斯 · c. 1639
《猎熊》习作
- 年代
- c. 1639
- 材料与技法
- 木板油画
- 尺寸
- Framed: 70.5 x 40.6 x 7.6 cm (27 3/4 x 16 x 3 in.); Unframed: 26 x 53.7 cm (10 1/4 x 21 1/8 in.)
- 国家 / 文化背景
- 佛兰德斯
- 流派 / 艺术传统
- 欧美艺术
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 欧美艺术 ↗
馆藏说明（英文原文）
On June 22, 1639, King Philip IV of Spain received a letter from his younger brother Ferdinand (1609–1641). The letter explained that the artist Peter Paul Rubens had recently completed all of the sketches for a series of paintings that were to hang in the halls of the Alcázar Palace in Madrid. Bear Hunt is one of seven surviving studies out of the original eighteen. In this scene, a bear attacks a hunter and a companion comes to his aide The others work to stave off a second angry bear. The sketch was completed in the last year Rubens's life, and the paintings for the series were never completed.
馆藏文字 · 克利夫兰艺术博物馆 · CC0停下来，看一看
从眼前可见之处开始：形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验？
观看提示 · 邀请你观察，而非对历史的定论。
