↗View from the Top of the Rock, looking over the native Town, Trichinopoly, India
Nicholas & Co.
Leonard C. Hanna Jr. Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Creator not recorded by the museum
This image depicts one of the main bodhisattvas, beings only one stage away from full enlightenment. Because the historical Buddha was a prince prior to his renunciation and life as a wandering ascetic, bodhisattvas are depicted as royal princes. This example has the sharp features, sweet expression, and crisp details characteristic of images made in Nepal during the 1400s. In his upraised right hand Manjushri holds the hilt of a sword that, like wisdom itself, metaphorically cuts through and defeats ignorance. His lower, rear left hand grasps a bow, once probably strung with a wire. Also missing is the arrow that he likely held in his lowered right hand. Arrows were often symbols for mantras, or strings of syllables thought to have the power to focus the mind and work like missiles to destroy negativity and affliction. The gesture of his lowered left hand indicates the transmission of Buddhist teachings. The lotus stem that rises at the left elbows originally held a book of sutras. This figure is in the yogic posture of meditation with the big toe flexed in concentration. Yoga is of central importance in tantric Buddhism, because high-level practitioners are able to discipline the body to such an extent that the mind can also be controlled.
Collection text · The Cleveland Museum of Art · CC0Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.
↗Nicholas & Co.
↗Creator not recorded
↗Bourne & Shepherd
↗Creator not recorded