↗France, late 19th century-early 20th century · c. 1915–26
Water Lilies (Agapanthus)
Claude Monet
Colour palette
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Approximate colour proportions
Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.
Gift of J. H. Wade · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
United States · 1900–1903
Early Morning After a Storm at Sea
- Date
- 1900–1903
- Medium
- oil on canvas
- Dimensions
- Framed: 111 x 160 x 12 cm (43 11/16 x 63 x 4 3/4 in.); Unframed: 76.8 x 127 cm (30 1/4 x 50 in.)
- Country / context
- United States
- Movement / tradition
- European and American art
- Collection
- The Cleveland Museum of Art
- Pathway
- European and American art ↗
FROM THE MUSEUM
The powerful Atlantic surf pounding against the desolate coast of Prouts Neck, Maine, provided primary subject matter for the dramatic paintings that Homer created during his final decades. This example, which the artist proclaimed as "the best picture of the sea that I have painted," was initially conceived as a watercolor. Undertaking the composition in oil after a lapse of nearly two decades, Homer patiently waited for the appropriate atmospheric conditions, executing the work in four different sessions spread over two years.
Collection text · The Cleveland Museum of Art · CC0A MOMENT TO LOOK
Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.
