↗坦潘沿海船纹织物
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Dudley P. Allen Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
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"Tapis" from central and southern Sumatra combine warp ikat with embroidery. The angular, geometric designs of the warp ikat can be traced back to the bronze age culture of China. During the first millennium B.C., elements of that culture spread to Indonesia where they survived in remote areas well into the 20th century. Completely different are the mysterious, curvilinear forms of the embroidered bands. Some of these have become too abstracted to identitfy; but others can be recognized as human figures wearing the feathered and horned headdresses of head-hunting rituals. Embroidery designs were presented by a man to his prospective bride, and their motifs were inspired by activities specifically performed by men, such as wood carving, metalwork, and headhunting.
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
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