↗Iran, Seljuq period of Iran (1037–1194) · 1200–1221
饰拟人化文字的韦德杯
创作者未记录
John L. Severance Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
博物馆未记录创作者
Realized in a very distinctive style using the lost-wax method, this figure’s cultural origin and function is limited because it was removed from Nigeria during that country’s turbulent civil war of the late 1960s. Perhaps it was once part of an altar or shrine dedicated to a guardian or tutelary spirit. Connotations of prestige and wealth may explain why copper-alloy objects were diffused across vast territory and inherited over many generations.
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。