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色彩观察

色彩调色板

  • #3A412F
  • #635A3E
  • #424330
  • #A88851
  • #2A2D2C
  • #C5B397

各色彩的大致占比

  • #3A412F24.5%
  • #635A3E16.2%
  • #42433016.0%
  • #A8885115.4%
  • #2A2D2C15.1%
  • #C5B39712.8%

根据博物馆图像中的六组色彩估算,包含可见纸张或边框。复制方式和光照会影响结果;这里显示的是图像面积占比,而非颜料用量。

Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

Mughal India · c. 1627

努尔·贾汉手持贾汉吉尔皇帝肖像

博物馆未记录创作者

年代
c. 1627
材料与技法
gum tempera and gold on paper
尺寸
Painting only: 13.6 x 6.4 cm (5 3/8 x 2 1/2 in.); Page: 30 x 22.1 cm (11 13/16 x 8 11/16 in.)
国家 / 文化背景
印度
流派 / 艺术传统
莫卧儿绘画 · Source ↗
馆藏
克利夫兰艺术博物馆
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馆藏说明(英文原文)

A woman identified as the favorite wife of the Mughal emperor Jahangir (reigned 1605–27) holds a formal portrait of her husband. He appears aged with graying facial hair behind the jharokha carpet that marks imperial presence. This painting may be modeled on a work depicting Jahangir holding a portrait of his deceased father, showing himself to be the legitimate successor. Nur Jahan, who handled most of the affairs of state, hoped to remain in power after his death. She is depicted in her idealized youth, since she would have been 50 years old when Jahangir died.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
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