↗France, late 19th century-early 20th century · 约1915—1926年
睡莲(百子莲)
克洛德·莫奈
Gift of The Print Club of Cleveland · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
The exaggerated and unnatural musculature of this figure may suggest that the Netherlandish artist Hendrick Goltzius had never studied a real human body. Indeed, he pulled from a mixture of sources including classical sculpture, Italian art, and his imagination. Goltzius ushered in Mannerism in Northern Europe, a style that featured exaggerated forms and metaphorical and allegorical subject matter. Known for his skill with an engraving burin, he transformed the technique, creating engraved lines that taper and swell to emphasize volume and form to extreme effect.
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。