↗睡莲(百子莲)
克洛德·莫奈
#272622#1F1F1D#24231F#604D3C#38342C#8A7350根据博物馆图像中的六组色彩估算,包含可见纸张或边框。复制方式和光照会影响结果;这里显示的是图像面积占比,而非颜料用量。
Leonard C. Hanna Jr. Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
Gustave Courbet painted four portraits of Madame Laure Borreau; this is the last and most highly developed. As a realist, Courbet aimed to represent what he saw in the visible, tangible world. He represented Madame Borreau in a black silk dress embellished with lace and a matching hat. Gold and violet lights of sunset softly illuminate the background. However, the portrait is not idealized. Courbet’s inclusion of her shadowed eyes and full-fleshed neck prompted one critic to write, “I daresay in nature she may be very pretty, but in Courbet’s picture she is nothing less than offensive.”
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。