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色彩观察

色彩调色板

  • #CBBDA4
  • #D2C1A7
  • #BEB09A
  • #A38F7C
  • #C8B699
  • #DAC9AD

各色彩的大致占比

  • #CBBDA419.7%
  • #D2C1A719.5%
  • #BEB09A18.6%
  • #A38F7C15.5%
  • #C8B69915.2%
  • #DAC9AD11.5%

根据博物馆图像中的六组色彩估算,包含可见纸张或边框。复制方式和光照会影响结果;这里显示的是图像面积占比,而非颜料用量。

John L. Severance Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

Iran, Tabriz, Ilkhanid period (1256-1353) · 1330–35

努希尔万王在位第四十年及布祖尔格米赫尔的故事(正面);正义之王努希尔万像(背面)——《列王纪》册页

博物馆未记录创作者

年代
1330–35
材料与技法
opaque watercolor, ink, and gold on paper
尺寸
Sheet: 59.3 x 40.2 cm (23 3/8 x 15 13/16 in.)
国家 / 文化背景
伊朗
流派 / 艺术传统
中东与北非艺术
馆藏
克利夫兰艺术博物馆
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馆藏说明(英文原文)

Mongol interest in the production of illustrated manuscripts eventually focused on Persian epic poetry. The Shahnama, a compilation of the epics and tales of Iran's legendary heroes, was a natural choice; the book included many subjects that suited Mongol taste, such as banquets, battles, hunting, and magical or fantastic events. Seated on the throne in the center of the painting is the Sasanian ruler of Iran, Khusraw I Anushirwan (531–579), descendant of Bahram Gur. Above the king's head an inscription reads, "Picture of Nushirwan the Just." The figure in the elaborate turban to the left of the king is probably the young Minister Buzurgmihr, famous for his wisdom and virtue. To celebrate the explanation of a troublesome dream by Buzurgmihr, Nushirwan held a series of seven banquets. The text around this painting describes the fifth banquet.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
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