↗France, late 19th century-early 20th century · 约1915—1926年
睡莲（百子莲）
克洛德·莫奈
色彩调色板
#4A6B6C#6696AC#70A2C0#AE9983#878074#B1AFA2
各色彩的大致占比
根据博物馆图像中的六组色彩估算，包含可见纸张或边框。复制方式和光照会影响结果；这里显示的是图像面积占比，而非颜料用量。
Bequest of Leonard C. Hanna Jr. · 克利夫兰艺术博物馆
图像：公共领域（CC0）· 博物馆记录与图像来源 ↗
France, late 19th-early 20th Century · c. 1904
圣维克多山
- 年代
- c. 1904
- 材料与技法
- 织物面油画
- 尺寸
- Framed: 87.5 x 106.5 x 7 cm (34 7/16 x 41 15/16 x 2 3/4 in.); Unframed: 72.2 x 92.4 cm (28 7/16 x 36 3/8 in.)
- 国家 / 文化背景
- 法国
- 流派 / 艺术传统
- 后印象派 · Source ↗
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 欧美艺术 ↗
馆藏说明（英文原文）
During the last 20 years of his life, Cezanne repeatedly painted Mount Sainte-Victoire near his home in Aix-en-Provence in southern France. Cezanne painted this view from life at one of his favorite sites, a small road that led from Aix eastward toward Mount Sainte-Victoire. He set up his easel at the edge of the road where he could see two umbrella pines and the mountain towering over the scene. A branch of one of the pines extends from the left of the canvas across the sky, echoing the slope of the mountain, linking the near and the far.
馆藏文字 · 克利夫兰艺术博物馆 · CC0停下来，看一看
从眼前可见之处开始：形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验？
观看提示 · 邀请你观察，而非对历史的定论。
