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色彩观察

色彩调色板

  • #887F60
  • #554736
  • #636757
  • #846A43
  • #959679
  • #B7A981

各色彩的大致占比

  • #887F6020.2%
  • #55473618.6%
  • #63675717.8%
  • #846A4317.4%
  • #95967915.5%
  • #B7A98110.5%

根据博物馆图像中的六组色彩估算,包含可见纸张或边框。复制方式和光照会影响结果;这里显示的是图像面积占比,而非颜料用量。

Gift of the Hanna Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

荷兰 · 1889

大梧桐树(圣雷米的修路工人)

文森特·梵高

年代
1889
材料与技法
织物面油画
尺寸
Framed: 104.5 x 124.5 x 7.6 cm (41 1/8 x 49 x 3 in.); Unframed: 73.4 x 91.8 cm (28 7/8 x 36 1/8 in.)
国家 / 文化背景
荷兰
流派 / 艺术传统
欧美艺术
馆藏
克利夫兰艺术博物馆
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欧美艺术 ↗
馆藏说明(英文原文)

Like Two Poplars in the Alpilles near Saint-Rémy (on view nearby), Vincent van Gogh painted this autumnal landscape while living in a psychiatric hospital near Saint-Rémy in southern France where he was treated for severe depression. Understanding that painting from nature eased his symptoms, Van Gogh’s physician permitted the artist to paint landscapes outside. Van Gogh described this painting in a letter to his brother Theo: “The last study I did is a view of the village, where they were at work under some enormous plane trees—repairing the pavements. . . . There are heaps of sand, stones, and the gigantic trunks—the leaves yellowing and here and there you can get a glimpse of a house front and small figures.”

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
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