↗Japan, Edo period (1615–1868) · 1790年代末
风中樱花
歌川丰国
色彩调色板
#C0B39A#AB9E86#C8BDA6#948975#B4A78E#C9C4B7
各色彩的大致占比
根据博物馆图像中的六组色彩估算，包含可见纸张或边框。复制方式和光照会影响结果；这里显示的是图像面积占比，而非颜料用量。
Purchase from the J. H. Wade Fund · 克利夫兰艺术博物馆
图像：公共领域（CC0）· 博物馆记录与图像来源 ↗
Ottoman Turkey, Istanbul · mid-1500s
枝叶间的龙及狮首、凤首
Attributed to Sahkulu
- 年代
- mid-1500s
- 材料与技法
- Ink, gum tempera, and gold on paper
- 尺寸
- Sheet: 17.3 x 40.2 cm (6 13/16 x 15 13/16 in.)
- 国家 / 文化背景
- 土耳其
- 流派 / 艺术传统
- 中东与北非艺术
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 中东与北非艺术 ↗
馆藏说明（英文原文）
A dragon lunges toward a pearl in the form of a seal inscribed with a verse from the Koran: “And I commit my case unto God” (40:44). In his front claw, the dragon grasps two flowering branches that magically produce a variety of blooms, including a lion that bites the dragon’s neck and a phoenix, who competes for the pearl. Sahkulu was trained by Persian artists, as were many artists of Mughal India during the 1500s. He joined the Ottoman imperial painting atelier in Istanbul in 1526 and became the head in 1545.
馆藏文字 · 克利夫兰艺术博物馆 · CC0停下来，看一看
从眼前可见之处开始：形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验？
观看提示 · 邀请你观察，而非对历史的定论。
