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色彩观察

色彩调色板

  • #67503C
  • #978467
  • #A0997D
  • #E0E1D9
  • #A89C81
  • #D4C6AF

各色彩的大致占比

  • #67503C23.6%
  • #97846719.5%
  • #A0997D18.6%
  • #E0E1D916.3%
  • #A89C8114.1%
  • #D4C6AF7.9%

根据博物馆图像中的六组色彩估算,包含可见纸张或边框。复制方式和光照会影响结果;这里显示的是图像面积占比,而非颜料用量。

Gift of Robert Hays Gries · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

Italy, Venice · c. 1580

圣母与圣婴速写(正面)

保罗·委罗内塞

年代
c. 1580
材料与技法
钢笔铁胆棕墨及毛笔棕墨洗染
尺寸
Sheet: 20.5 x 23.4 cm (8 1/16 x 9 3/16 in.); Secondary Support: 22 x 28.2 cm (8 11/16 x 11 1/8 in.)
国家 / 文化背景
Italy
流派 / 艺术传统
欧美艺术
馆藏
克利夫兰艺术博物馆
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欧美艺术 ↗
馆藏说明(英文原文)

In the last decades of his career, Paolo Veronese and his workshop produced a number of idyllic visions of the Holy Family in repose in the countryside during their flight into Egypt. This crowded sheet of loose, lively sketches was recently proposed to have inaugurated an intensive period of interest in this subject that began around 1570. The sheet shows two horizontal rows with eight versions of the seated Virgin holding the Christ Child, in some of the sketches accompanied by the infant John the Baptist or Joseph, and in one by a donkey. The sheet presents an unusual case of being preparatory not for paintings, but for finished chiaroscuro drawings, now in London, Berlin, and Cambridge, MA. While the individual sketches may appear at first glance a mass of tangled lines and confused forms, such pen and ink drawings demonstrate the Venetian artist's restless creative energy.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
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